27 July 2006

Unwelcome Guest

For those of you who missed it and were asking, here is a picture of the univited guest to the Bear Lodge Writers publication party at Devil's Tower. Yep. A three foot long rattlesnake. He was right in the middle of the picnic area, with kids and party goers running all around. But who almost stepped on him? Of course, me. Amazing how that rattle sound can stop you dead in your tracks. We faced off, I backed away and got the park ranger who was attending the publication party, she called for another ranger to wrangle the snake with a ridiculously short stick. While we waited for Snake Wrangler Boy to show up, we kept a respectful distance and watched. The rattler was fine, gliding about, tasting the air, until Snake Boy arrived and approached with a set of snake tongs in hand. Then the snake curled up and rattled. It was a standoff. I've seen rattlers launch themselves forward, no way would I approach one with a puny three foot long grabber stick. Even a six foot long one is living dangerously. I think Snake Boy had second thoughts, too. The rangers finally herded him off into the tall grass. A quarter mile down the road is an all you can eat prairie dog buffet, so why was the rattlesnake in our midst? For the cookies? The story readings? For the chance to have its picture taken? (Look at me, not the Tower, dang it!)

Wyoming wildlife, gotta love it.

Bear Lodge Writers newest book--
In The Shadow Of The Bear Lodge: Writings From The Black Hills- An anthology by Bearlodge Writers.

Nonfiction Book Review for WBWWS

One of the best writing books I've read lately is The Complete Guide to Writing Fiction and Non-Fiction and Getting it Published by Pat Kubis and Bob Howland.

The reason I liked it was that it approached the topics in a way that was understandable to me. The first chapter is Dynamics of Plot. It starts with the question "why Plot?" and breaks things down from there, explaining strong and weak plots, classic plots, plot structure, and the relationship of story to plot. Another important element for me was the introduction of the "W" diagram.

The "W" diagram breaks the action in a visual diagram that shows the rise and fall of the action as it relates to the protagonist. Examples are given from classic novels- I really liked this, because it irritates me to no end when writing books use MOVIES as examples. Other chapters are on Viewpoint, How to Open a Short Story or Novel, Three Dimensional Characters, Effective Dialogue, How to Develop a Good Style. Create Settings, Scene Summary Transition, Back and Forth in Time, Theme, and Do Titles Really Matter? I've pretty much ignored the Non-Fiction section of the book since I'm not interested in that right now.

My measurement of a good writing book is "Did I learn something I can apply to my writing"? In the case of this book, I've moved beyond the W diagram, but it was eye opening in realizing that there were other ways to plot. The other advantage to this book is that the authors give explanations of why they are stating something. WHY you want to have a strong opening, WHY characters need to be three dimensional.

At the end of each chapter is a series of exercises. I haven't done any. I used to be impatient with doing anything not related to my own writing, but after working through the exercises in a poetry book and getting some good solid poems from them, I am ready to revisit my snotty attitude and give the exercises a try.

Here is an example exercise from How to Open a Short Story or Novel:
Examine the second paragraph of Ernest Hemingway's hook from The Old Man and the Sea, the old man's description. Write down all the things you KNOW about the old man just from Hemingway's description. Analyze WHY you know these things. What particular things in the description evoke your reactions?

The book is a good tool on how to train yourself to read critically, for details, and how to develop great ideas for your own writing. There are some pages on query letters, submissions, and other things that may be of use sprinkled in the Non Fiction part of the book. I found this book in Barnes and Noble while trapped in Cheyenne for training one week. I haven't seen it anywhere else in stores, but Amazon and Powells have it. Worth checking out if you like an array of options to choose from. Otherwise, it may be too confusing for someone looking for more specific advice.

25 July 2006

What I Like About Living In Wyoming


Yesterday as I drove to work on a roundabout four lane I had to stop and wait while six Canadian geese crossed the road. I saw them in front of me, heads towering above the seldom cut grass by the bike path next to Warlow Drive. One side of the street opened onto a pond and wildlife area, the other side a parking lot and the American Legion ball field, surrounded by scraggly weeds and manicured lawn. Maybe the geese just wanted to take in a game, but traffic was no obstacle. They showed no fear of the cars whizzing down the 40mph road. The first Canadian stepped out when I braked to a stop. Neck stretched high, he lifted one foot, held it up a moment, then placed it on the pavement, took another step, head swiveling as he surveyed the stopped cars to either side. It must have taken a good two minutes for him to goosestep his way over the yellow line to the other side of the road. When he reached the far side, a second goose stepped out onto the asphalt and proceeded across, high step by high step.

It finally dawned on me how hot the road must be after a succession of 100 degree days. At eight in the morning it was already 85. You'd think the hot tar would make them hurry but each goose kept to a dignified pace. After the advance scouts were in place, mom stepped out, followed by five half grown goslings. No longer cute balls of fluff, these birds possessed the long necks and piercing gaze of their kin although they only stood half as tall. The youngsters keep in a straight line, eyes front and glued on the opposite side of the road. Mom didn't dawdle. She marched across in short order and disappeared with her brood into the grass by the Legion fence. The last goose hurried over the pavement a bit faster than the advance scouts. As soon as his tail feathers were off the road, traffic moved again. Nobody showed impatience. This was Wyoming. Animal delays are as commonplace as geese in the crosswalk. (* Update. This morning, July 27, I noticed a new yellow highway sign by the side of the road. Goose Crossing. Complete with black pics of geese and gosslings in a line. How cool is that?)

Interactions with wildlife is the norm here. On the way home from work today, I slowed my car to let several antelope trot across the road and slip under a pasture fence to hang with the horses. On the top of a light pole a hawk hunched, breeze ruffling her neck feathers, head turning this way and that, scanning for dinner. That evening I took the dogs for a ride. Our destination was a park with plenty of grassy prairie and gopher holes to sniff. A fox darted across the road by the entry gate. Instead of fading into the brush, he stopped and watched us long enough for me to think about reaching for my camera. The dogs never barked, they stared at him as he stared at us. I slid the cover off the camera, the fox turned and disappeared behind a sagebrush and was gone. In the park we walked slowly, and a covey of doves exploded from the trees in front of us and flew off, wings whirring. The dogs watched and again kept silent, content to tug on the leashes and move forward, noses to the ground.

Back home I turn on the sprinkler and run it more for the benefit of the birds and neighborhood rabbits than out of any desire to have a green lawn. Doing my little bit to support the wildlife. It's better entertainment than any movie and a daily reminder about why I love living in Wyoming.

23 July 2006

Where Do You Get Your POEM ideas?

The best thing I've learned in poetry is to give myself assignments. The favorite question asked of writers seems to be, "Where do you get your ideas?", as if anyone could stumble, trip and fall over an idea and miraculously have a poem spring up from the dirt where they lay.

If only it were that easy.

The short answer – I get my ideas from everywhere. Driving to work, playing with the dogs, reading, listening to music, watching the geese glide in to land on the lake near the house. Poetry is everywhere, lurking in your kitchen cabinets, hiding with the dust bunnies under the bed, crouched in the bottom of the vegetable crisper with the plums and lettuce slime.

The long answer - I work at it. If I'm lucky, I get a line or phrase stuck in my head, write it down, and think on it for a few days OR I decide I want to write a poem on a certain theme. That is much harder, but it's always a great exercise in creativity.

For example I decided I wanted to write a poem about coal bed methane production- the flip side of life in Wyoming. Contrary to what television would have you believe it's not all cowboys and ranchers out here. I started researching and found out all kinds of interesting stuff. One was that ranching (Agriculture and the cowboy way) made up a statistically insignificant proportion of the economy, but drives politics and mentality to a degree far disproportionate to its numbers. I also discovered opposing sides on the impact of coalbed methane on flora and fauna.

Digging deeper, I found a study that said the presence of tire tracks in the habitat of a certain species of shrew will prevent it from crossing over the tracks, limiting its migration and breeding opportunities. Another study talked about how the creation of holding ponds for coalbed methane water increased the density of types of ducks and birds in that area- to the determent of other types of animals. This led me to reading about uses for methane gas, the economic impact, and the dynamics of well drilling. I put all the material I find in a folder marked Poem Research. There it sits and waits for when I find that stuck in the head line that needs fleshing out into a poem.

So far I've written a poem about the shrew, the subdividing of Wyoming, and about alkaline water, from my research. The rest is percolating in my brain and waiting for an opportune moment to become a poem. I have folders on Roman history, engineering, physics, and horse breeds; all triggered by the need to research and develop a poem.

The days where a poem springs forth from my head half formed and needing only a good polish are few and far between, but they seem to come with more frequency if I prime the pump with research.

19 July 2006

Icarus, Descending

I finished the print for the Nudes print
exchange ahead of time. This is a first. I usually race down to the wire. Of course, last time, I was ahead of schedule, made 31 prints in three colors, then decided I hated the result and hastily caved a new block. This time I planned things out a little better.
I'm still having trouble with registration. I tried running the print through the little tabletop etching press I got, but the print was about 1.5 inches too long. So I did them all with a baren and still had problems with registration. I build a template on some masonite with cardboard guides for the lino block and the paper, but they still were cattywumpus. Execution is not my strong point...

The picture looks a bit off, because I photographed it with the digital after I taped it to my studio wall. Nothing but the best effects.
The two prints below are my test prints for the finished one. I may do some with just the Icarus and hand color. This one was done with golden linoleum, Stonehenge natural paper, Daniel Smith black waterbased ink, Daniel Smith yellow ochre waterbased ink, and a Japanese baren to rub the prints. Someday, I'll get to use the press, now that I know how. Adding another felt blanket and a fake block starter made all the difference. Who'd a thunk it?

16 July 2006

It's Hot Out There

It was 107 degrees in the shade yesterday. I don't know what it was in the sun because I refused to set foot outside. No way. The sun looked brutal from inside, who wants it beating down on your head? There are fires raging all around us, the night before all I could smell in the air was smoke from toasted prairie. Satuday didn't promise to be much better. There are fires east of us, and north of us in Montana. Can't even see the mine that is 5 miles away because of the haze. It also ruined my stargazing. If it was clear, it would have been a perfect night to drive out to the middle of nowhere and look at the constellations. (Note: The middle of nowhere is about 10 miles from my house. Hell is about 25 and can be seen from a hilltop.)

I hate heat that is unrelenting, so I fled to the basement and worked on printmaking for a Baren print exchange. The theme is nudes, in oban size, about 10 x 15 inch prints. I'll post the finished print here later.

The other thing I did to avoid going outside was to dye some yarn. I have 10 skeins of laceweight wool yarn in sheep color- off white. I decided to try Kool Aid dying. It was easy, it was fun, more importantly, it didn't involve a whole lot of effort. Very cruicial when it's 107 outside, and about 80 inside even with the air condtioner running its little heart out.

Here are the results of playing around with some basic Kool Aid packets.
From the top down, Orange, Artic Green Apple, Ice Blue Raspberry Lemonade, Strawberry Kiwi, and Lemonade.
And to think, we actually drink this stuff. Or used to. Even my kids won't touch it now. Not cool for teenagers, when they can have energy drinks and frappaccinos. Maybe if I show them the yarn they will be awed by Kool Aid's mystic properties and rethink their expensive drink habits.
Nah. Never happen.

12 July 2006

WBWWS Topic Question for July

What started me writing- what keeps me going?

I started out a voracious reader as a child and somewhere in my high school career I lucked upon two teachers who corrupted me even further, an English teacher that introduced me to poetry and Shakespeare, and an Art teacher that gave me copies of Nietzsche and Jean-Paul Sartre to read, then would casually ask, “What did you think?”. Corruption in four little words. Once you start someone thinking outside the box, there is no going back.

I ventured out into the murky waters of writing my own stuff. Short stories, a few poems. When I got to college, I found a vast community of like minded people. Writing tugged at me, but so did art. I ended up dual majoring in art and philosophy, desperately trying to strike a balance between the written word and created vision. It wasn’t until recently that I realized the narrative form is an integral part of all my artwork, whether I intend it or not.

Seventeen years ago, I wrote my first book. Living in the west I wrote a ‘modern’ western set on the rodeo circuit. My now ex-husband had a friend, who knew an agent, so we naively packed it up and sent it off. Opportunity knocking. I received a very nice response that while I had good storytelling basics, I needed to work on my basics- the occasional slip into passive tenses, the info dumping, and the sub plots. So what now? I didn’t know, I thought I had to write a new book and can the old one. I put the book away and started on something different while steadily reading on writing. Several years later I discovered the Internet, and the ability to research anything, anytime. I researched and wrote. Novels mainly. I estimate when all is said and done I probably wrote the equivalent of 5- 100,000 word novels, plus dozens of shorter (40,000 word) pieces. Counting my rewritten western, I think I hit my “Million words before you’re ready to write a real book” mark, and about that time, I became happier with my writing.

So I was ready. I was restless. I wanted to create my own world. I loved ancient history, Roman and Greek mainly, but I wasn't comfortable enough to set a book in either place. I also loved epic stories, stories about good vs. evil and the inner struggles of a hero. I played "what if". I read my way through the fantasy/scifi section of the local library. I suddenly had certain characters that bothered me day and night, nagged me to tell their story. I started with one book, wrote several chapters, had to take time off when my mom died. When I came back, I had different characters. The hero came home on the plane with me. I knew his story. He wanted me to tell it, demanded I tell it. So I started again, and got further this time. Halfway through, another character reared her head. The woman who appeared for the new novel was a complete surprise). She wanted her story told. This time, having read every book on writing known to Amazon, I was ready. I outlined.

I confess, I was one of those who scorned outlining, and it shows in my earlier work. I finally found/figured out a method that works for me. No Roman numeral ball and chain like high school. I had three paragraph beginning, middle end outlines I could expand on. I feel liberated! I feel prolific. I can get the basis of the story down, the character is content to wait his or her turn, and I don’t feel helpless as I approach the book and have no idea what happens between the big plot points. This is what keeps me going. I no longer fear concentrating on the present book while another good idea goes down for the third time because I didn’t pay it enough attention. I also spent the past three years writing poetry, intensely. It helped strike a balance. When I couldn’t write on the novels, because I was mulling plot points, I wrote poetry and was happy. When I couldn’t do either, I did printmaking and was happy at being creative artistically. It was all about balance. I finally learned it’s okay not to write everyday- despite what writing magazines and books would lead you to believe. My style is to read and research voraciously, let ideas percolate, then work in a frenzy. I’m okay with that. Finally. So I may not get published until I’m 50. That’s okay too. The biggest thing I learned from my passionate study of ancient history was that things cycle. My opportunity will come again, and this time, I’ll be ready.

11 July 2006

Periphery Definitions

pe·riph·er·y (pə-rĭf'ə-rē) n., pl. -ies.
A line that forms the boundary of an area; a perimeter.
The surface of a solid.

The outermost part or region within a precise boundary.
A zone constituting an imprecise boundary.
[Middle English periferie, from Medieval Latin periferia, from Late Latin peripherīa, from Greek periphereia, from peripherēs, carrying around : peri-, peri- + pherein, to carry.]

periphery
noun
A line around a closed figure or area: ambit, circuit, circumference, compass, perimeter. See edge/center.

A fairly narrow line or space forming a boundary: border, borderline, brim, brink, edge, edging, fringe, margin, rim, verge. Chiefly Military perimeter. See edge/center.

periphery n
Definition: outskirts, outer edgeAntonyms: center, heart, middle
Peripheral vision is that part of visual perception that occurs in the periphery, i.e., near the edges, of the field of view.

The Periphery includes nations that are not core countries - capitalist or industrialized nations.

The 10 peripheries of Greece are subnational subdivisions of that country, equivalent to regions.

In BattleTech game, the Periphery is the region filled with less developed space colonies, most distant from Earth.

From Answers.com and Wikipedia