30 November 2009

December at Every Day Poets


The December Table of Contents is up over at Every Day Poets.


Check it out, get inspired, and dare I say --


submit!

(Your daily poetry overlords command you!)




24 November 2009

Poem Evolution - Tackling the PAD Challenge

Since this is my third time doing a poem a day challenge, you'd think it would come easy. It doesn't. There is still the momentary thrill/fear when opening the email to find out the challenge for the day. What if it's a topic I hate? What if it's a topic I know nothing about? Or worse yet, what if it's a topic I've written about many times before? How will I find something new to say?

It amazes me how I continually underestimate the flexibility of that thing I call a brain. All of the above scenarios have happened – and I still managed to write a decent poem in spite of them. The key has been to find a jumping off point. Sometimes it's the challenge topic itself, other times it's the poem posted as an example of the topic. Once in a great while I see the topic and my mind immediately flips into whole poem mode. That's a rare occasion, though.

I've learned through experience to read the prompt and not rush to judgment – or poetics. Sometimes the first idea to spring to mind isn't always the best way to approach the prompt. As always, my driving force is the questions, "What am I really trying to say here?", and "Will anyone understand it?" Your driving forces may vary.

Many times a single line or idea springs to mind. I note it down while continuing to ponder. One challenge day, the prompt generated three distinct poem starts. I fleshed out one, set another aside for further development, and let the third die on the vine. Brutal, but necessary. It's often that first stuttering surge of words that proves the best. Later first lines can seem forced, or trite. No one ever told me cruelty was a characteristic of a poet. Early on, I wouldn't have believed them. It has a twin in fiction writing – "Murder your darlings". If the line has any redeeming qualities, it's filed for later examination. The goal here is to get that poem for the daily prompt written out, not run a charity home for wayward feet and meters.

I know we can go back later and correct – after all, December is our editing month – I prefer to get the poem as close to finished as possible, lest I forget the feeling or driving force behind it. A cooling off period is great sometimes, but it can stop passion cold in its tracks.

November 15th's prompt got two initial responses from me. "For today's prompt, I want you to write a hanging poem." My first thoughts went to the phrase 'hang time'. I wasn't sure what I meant by it. Not basketball, that was for sure. It gelled into a run on thought about relationships:

In the hang time between your words and the panic
of my thoughts the empty space overflows with

There was something there, but not enough to intrigue me. So I stuck the fragment in my Lines file, and thought some more. The free association led to the idea of hangman, then to a scrap of memory about playing hangman in school while waiting for class to start. (Yes, I was geeky enough to play with words in my free time.)

The first line wrote itself "Back in school we played hangman on wide-ruled paper while waiting for lunch or the next class to start.". The details started with that one sentence. Wide-ruled paper, not college ruled, pencil, not pen.

Then it was a matter of coming up with the loosely remembered details of playing hangman. It's been a while. My mind jumped over to the carpenter who built the gallows, and the idea that if he was a craftsman, I must be too in my construction of my pencil and paper gallows. I had to research how many turns in a hangman's noose, because I wasn't sure I remembered right. I had. Funny what your mind hangs on to. It's great if you plan on playing Jeopardy, not so good if you're trying to remember where you parked your car at Wal-Mart.

The end evolved from what came before, and it was as much a surprise to me as anything. Apparently guilt over the death of fictional characters is something that has a long track record in my brain. It doesn't stop me from killing them off, however. I just don't take any particular glee in it. At least, not yet.

Since this is a November draft, and December is Edit your PAD poems month, I'll probably make another pass through to see what can be changed/rearranged/tightened. In the process, other inspiration might arise, or I might even call this one done and move on. So even though the prompts and lines are done in a day, poetic ideas linger on, hoping for immortality.

17 November 2009

November 09 Poem A Day Challenge: Day 15

November 2009 PAD Chapbook Challenge: Day 15

From Poetic Asides
"For today's prompt, I want you to write a hanging poem. There are a lot of things that can hang (some a bit more gruesome than others). You can hang clothes, pots and pans, pictures, and other inanimate objects; there's, of course, the kind of hangings that end lives; or you can even leave someone hanging (as Tammy pointed out to me). So, I'm not going to leave anyone hanging anymore today."

(Why yes, I know the poem appears here a few days late. I do operate on my own antiquated time line, why do you ask?)




Hangman High
by
Constance Brewer


Back in school we played hangman on wide-ruled
paper while waiting for lunch or the next class to start.
Always in pencil, never in ink, not even the noose.
I always thought of Western movies and the grim
carpenter who sawed and hammered the squared-off
gallows together. He could have cut corners, after all
the hangee would never know if the trapdoor was plumb.
Like a coffin maker, the man was a perfectionist.
A good job was a good job no matter what the end
intention. It paid well. I drew my platform
with hard, ninety degree angles,
overhead beam sturdy, fresh timbers
parallel to blue ruled lines.
My rope had thirteen scribbled
turns and an extra-wide loop.
I think I hoped my drawn
culprit would wiggle free
at the last moment,
and save me
the painful knowledge
it was my inability
to guess
the right letter
combination
that caused
his untimely
death.


11 November 2009

Last Hike of the Season

Thanks to some unusually nice November weather, including a few 60 degree days, the dogs and I managed to get in one last hike while it was still nice out.
Since it's dark when I get out of work now the awesome twosome have to wait until the weekend, or a day off to hit the park. We'll still go when it snows, but the picture taking opportunities will be a bit more limited, or at least the colors will be less exciting.

Signs of an abrupt end to Fall were all around us.From fat pine cones coveted by the resident park squirrelsto the last few berries left for birds to squabble over.
The trees did their best to go out in a blaze of glory,
but orange was the predominate theme. and what last leaves there wereclung tenaciously to the branches, despite the brisk Wyoming wind.
Merlin's color scheme fit right in, and he seemed to enjoy the blustery day,
although there's probably one or two dog-chased residents who will be glad to see less of us.
The skies by the end of our walk portended what we had to look forward to in the upcoming months. Max and Merlin made the best use of their time by inspecting all holes for the winter, and marking a trail around the park to follow the next time we go adventuring.

(Dedicated to Anonstrodamus, whose predictions are accurate, if a bit slow...)


09 November 2009

Baren Print Exchange # 42

All turned in to the exchange coordinator, so I can move on to creating other prints. Although I have urges to do an etching on metal plate of the same drawing, just because I can. Or think I can. It all depends on if I get my etching press balanced this weekend.

Title: Red-Winged
  • Medium:Woodblock print (hand rubbed or pulled on a press, B&W or colour, any pigments, any paper). Note: The Baren Exchange is a program for forum members to create, exchange and display editions of woodblock prints. Relief prints pulled from wood substitutes and wood-like materials, including linoleum, corian, MDF, resingrave, and similar are acceptable as are collagraphs. Coordinators are obligated to reject prints whose primary method of production is by other means. For example: monotype, intaglio, stencil, lithography, ink jet, laser, photocopy, etc are to be rejected by the coordinator.
  • Theme: Open
  • Image size: Any size and orientation within the paper
  • Paper size: Chu-tanzaku, about 3 x 9 inches (7.62 x 22.86 cm)
  • Paper type: No restriction
Six colors over three lino blocks. My registration technique needs work, but all in all, I'm almost feeling brave enough to tackle a moku hanga print. I used the same methods on the lino blocks, so now I just have to get some good quality knives and gouges to carve the wood blocks.



I just ordered a wonderful eBook from printmaker David Bull called Your First Print. It's basically a "complete overview of the making of a woodblock print using the traditional Japanese techniques."

Just in case anyone out there *cough* Anonymous *cough* had a sudden urge to delve into the ancient art of Japanese woodblock printmaking. Because having hobbies like spinning sheep and dog fur into yarn just isn't enough for some people . . . .

06 November 2009

Return Of Me, and The Poetry Prompt

Yeah, I'm back! I have DSL and can surf the 'Net again to my heart's content. Hooray for me!

Now, just to confound my brother, Anonstrodamus, there will be no Corgi pictures today... but -

Here is the poem from last week's poetry prompt on Poetic Asides.

"For today's prompt, I want you to write a bad poem. Take bad in any direction you want, but for me, I'm going to try to just write a horrible poem. (This where the hecklers can shout out, "Why try when it comes natural?") Anyway, let's get bad!"
Robert Lee Brewer, Poetic Asides


No Bad Poems
by Constance Brewer

What have you done? Naughty! Bad
poem. Go to your file folder.
No, don't try the puppy dog eyes.
Maybe if you hadn't jumped
on the editors and left uninspired
four-letter words all over their
pristine publication, I'd be in a better
mood.

How come every time the muse
rings the bell, you degenerate
into an alliteration frenzy? It's not
attractive. And why, oh why,
can't you leave traditional
forms alone? Must you gnaw
a sonnet until it's skeletal verse,
worry a villanelle to stuttered repetition,
barf a ballad onto the kitchen floor
in an unappetizing mess of country
song pickled in Scotch?

I ought to drop the choke chain over
your muscled neck and drag you on a walk
around the public block. But other people never
notice bad Bad Poem. They only see sprightly
verse, wagging tale, and the silkiness
of your long, black typography.

01 November 2009

The Unbearable Agony of Dial Up Connections

Yes, I've been Missing In Action, but there was a good reason. I lost my DSL connection, and it took them a week to figure out it wasn't my modem or interior phone lines. So my ISP contacted Qwest to get them to check the exterior lines. And something is wrong. And Qwest is mighty reluctant to fix it, because it involves effort or something. About this time it was 9 days without any Internet, and I was Not Happy. So my ISP gave me a dial up connection while they slug it out with the evil phone empire.


I may come out of this rather twitchy. If not from the antique dial up sound, as it scratches and whines its way to some pathetic connection speed, to the fact that I have to load Gmail in basic HTML, and can't download music, do research, let alone watch Hulu. Who knew so much of the interesting parts of my life were tied to a fast connection?


I've also discovered my 17 inch laptop is great for doing artwork and watching movies on, not so great when tethered to a phone cord and propped up on my knees. It's like having a perpetual 7 pound paperweight. Don't even get me started on the trip to the library last weekend to use their Internet. From the plastic wrapped keyboards to the coughing, hacking drunk next to me, my inner Monk was severely traumatized.


I'm up to Day 12 with no DSL. I keep telling myself there are people in third world countries without any Internet... until I get contacted by a friend who's presently living in one of those third world countries, and has a better connection than I did. Even with DSL. Is there such a thing as a third world state?


On the bright side, I've mopped my Corgi footprinted kitchen floor three times, and carded and spun a whole bunch of wool, including a Leicester/Alpaca/Corgi blend I plan on making into a pair of winter mittens. And I could always check my personal email from work, so I guess I'll have to stop muttering about the IT staff. I even got a bunch of books from my TBR pile read, and wrote one essay on personal mysticism and The Cloud of Unknowing, so it hasn't been all bad. Suffice to say, though, if I want to be cut off from the Internet, I prefer to do it on my own terms. Which means knowing I can plug back in and not be able to knit 12 rows on my socks while I wait for the little blue "You are connected to the rest of the world at pathetically laughable speeds" emblem to appear in my tray.It's shaped like a turtle. Lying on its back. Comatose. Or at least catching some really intense Zs.