31 August 2010

Lessons Gleaned From Writing (Or Not Writing) Poetry

A confession, of sorts. I haven’t been writing much poetry this month. That used to make me nervous, and send me running for a new notebook, blank Word document, old envelope. Or if not writing poetry, I work on the Mostly Finished Fantasy Novel, short stories, an essay, a grocery list. Something. Anything. Not anymore. I’ve come to terms with the oddities of my personal creative process. One of the major oddities is that sometimes, I just don’t write. Not can’t, don’t.

Not because I can’t conjure the words to fill the space, it’s more of a sense of waiting. The poems are still there in bits and parts, stacked against the brain pan in various packing crates of inspiration. Lading bills jet around on sudden Muse driven thoughts. Morning strato-cumulus clouds, a flight of birds against the setting sun, prairie grass billowing in the wind. The feeling of remorse over something I thought long dead and buried. The cool weight of a new wrench before work on an old car. All things that inspired poetics.

I have to be careful. Sometimes the inspiration is false and needs to die a quick death. Other times inspiration hides between the pretty images and fakes its way into a few lines. If not caught it can spin itself up into a poem, but one that sounds hollow when you thump its sides. Desperation likes to take inspiration for a ride – then shove it out along a deserted road. I’m learning.

To avoid abandonment, I let my mind lay fallow. I read, not just poetry, but everything I can get my hands on. Like a squirrel stocking up for the winter, printed words are fair game. In the past month I’ve read theology, psychology, science fiction, fantasy, mysteries, young adult fiction, historical fiction magazines, poetry books, everything online I could access, and the user’s manual to my new phone. But still, no poetry spills forth.

A funny thing happens when I decide to edit the horrendous mass of poetry I wrote the past few months. I edit . . . find a line, a word, a turn of phrase – and a whole new poem springs from the cooled ashes of what came before. Subjects I thought explored offer up new ideas and undiscovered tangents. Themes band together and demand more time, more poems. Words gush forth. Where I despaired of finding one chapbook worth of themed poems I now have three.

What to do with the “Ologies”? Theology, psychology, and sociology demand further attentions. Those poems come naturally, appearing like good little beacons on a dark night. Where does that leave the occasional anthropology or ornithology poem? A handful of orphaned haiku? The bastard sonnet? Those are the poems cultivated in nothingness, born of randomly sown ideas. Write, don’t write, write out of the box. It’s an interesting dilemma to have. I just hope I don’t forget how I got here – meandering the path of consciously not writing.


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22 August 2010

Devils Tower - View Two

Wow, August kind of took the bit in its teeth and ran away with me. Busy with printmaking and some writing, but I neglected to update on the status of the 36 Views of Devils Tower series.

Devil's Tower View Two is up at the ConstanceBrewer blog. This time I did a preliminary sketch on canvas as well as some drawings.

Devils Tower View Two oil sketch 5 x 7 in.

View Two was a reduction print. From Wikipedia:
In relief printing, a reduction print is a multicolor print in which the separate colors printed from the same block at different stages. Usually, the lightest color of the design is printed first, then the block is "reduced" by carving to the areas which the artist wants to print the second color from, and so forth. The disadvantage of reduction printing as opposed to printing from multiple blocks is that once the first color is printed, the matrix for it is destroyed in the creation of the printing matrix for the second color. It is impossible to undo mistakes.

It's that "Impossible to undo mistakes" thing that can really throw a wrench in your day. Am I totally happy with the print? No, not really, but it was a good learning experience. I'll do another one - just not the next print. I have the idea to try, try again at moku hanga, and have been assembling the materials to give that a go.

I also ended up with two variants on the print. One a black and white outline, the other is a colored pencil variant. I have a side series being planned of things around Devils Tower - flora, fauna, signs, other interesting rockpiles. I'll post those as they appear in my repertoire.

Now, onward to View Three!



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09 August 2010

Monday Poem

The Dead White Male Muses Auxiliary and Sewing Circle
by Constance Brewer


A rag tag bunch of published old authors
assembled in the far back of my head.
They pulled up chairs - I was not invited,
this is what was rumored to have been said:

"I t'ink dat every t'ird word should rhyme."

"And the committee thinks that they should not."

"I think starting again would be sublime."

"Hellfire! Why don't we jus' keep what we got?"

"Gie me clue - how shall I thee ken, why it—"

The others turned and yelped at the poor man,
"No one asked you, Robert Burns, keep quiet!"

Before I start things get way out of hand
My poems are critiqued before I've begun—
Muses. I can't get meaningful work done.




*Today's procrastination poem was brought to you by the letter "S" and the number "147"

. . . .** No muses were harmed in the making of this poem - although several came close.

. . . . . . . *** Will the owner of the renegade Robert Burns romping through my head please come claim him?

. . . . . . . . . .. .**** The white zone is for loading and unloading of metaphors only. Violators will be given beer.