Showing posts with label paintings. Show all posts
Showing posts with label paintings. Show all posts

04 March 2016

The Art of Running in Place

"Aspens", by Constance Brewer, acrylic on canvas 2010

So lately I’ve been thinking about creativity, and how mental and physical creativity relate to each other - at least for me. I’ve noticed that when I’m at my most creative knitting, spinning, weaving, sewing—really anything to do with my hands—I’m also having a good day at the writing desk writing poems and stories.

I went delving for research to back up my thoughts and came across this –

New research is pointing to a possible link between bodily movement and creative thinking.

A rich body of recent work has suggested that such metaphors may derive from an actual and intimate link between abstract concepts and concrete experience, and that priming physical sensations can activate abstract ideas.

What if physical experiences not only activate existing knowledge, but also trigger cognitive processes that enlarge knowledge in creative new ways?

Actual physical acts appear to activate the abstract processes that overcome mental rigidity and make new connections—the nuts and bolts of creativity. Something as simple as gesturing with alternate hands, or literally getting out of the box, may eliminate unconscious barriers that restrict thinking.”[1]

Of course many of the research articles wanted to talk about physical exercise and the creative boost one might get from it. I postulate that you don’t have to go for a run or do laps in a pool to get the benefit of enhanced creativity. The physical act of crafting provides the stimulus the brain needs to boost creativity. But crafting is creative itself, you say. It is, but there are also elements of repetition in most crafting that leads to an often zen-like mental state. 

In knitting it’s the stitches of the pattern, in weaving it’s the rhythmic back and forth of the shuttle, in lino block printmaking it’s the continual cutting away of small pieces of lino from the whole. All these repetitions become second nature after a time, and allow one to let the mind drift into a higher state.

Creativity begets creativity.

I used to think I was a visual learner, now I think I was mistaken, that I was a more kinesthetic learner, hence all the doodling in the margins of notebooks and clicking my pen and bouncing in my chair. I had to be engaged in activity before my brain switched fully on.

Some experts equate the benefits of crafting-induced flow with the experience of meditation. 

Being involved in any meaningful creative task that requires using your hands, according to physician- writer team Carrie and Alton Barron, can help elevate your mood, stimulate your senses, and foster internal well-being.” [2]

I come up with my better poems when engaged in the simple act of weaving, or knitting. By putting my body on autopilot, I find I can engage my brain in a more meaningful way. Without the risk of tripping over my feet and face planting. How about you, what kinds of activities engage your creative side? 



"In Place" by Constance Brewer, watercolor, after a painting "Vanguard"by artist Stephanie Law








22 August 2010

Devils Tower - View Two

Wow, August kind of took the bit in its teeth and ran away with me. Busy with printmaking and some writing, but I neglected to update on the status of the 36 Views of Devils Tower series.

Devil's Tower View Two is up at the ConstanceBrewer blog. This time I did a preliminary sketch on canvas as well as some drawings.

Devils Tower View Two oil sketch 5 x 7 in.

View Two was a reduction print. From Wikipedia:
In relief printing, a reduction print is a multicolor print in which the separate colors printed from the same block at different stages. Usually, the lightest color of the design is printed first, then the block is "reduced" by carving to the areas which the artist wants to print the second color from, and so forth. The disadvantage of reduction printing as opposed to printing from multiple blocks is that once the first color is printed, the matrix for it is destroyed in the creation of the printing matrix for the second color. It is impossible to undo mistakes.

It's that "Impossible to undo mistakes" thing that can really throw a wrench in your day. Am I totally happy with the print? No, not really, but it was a good learning experience. I'll do another one - just not the next print. I have the idea to try, try again at moku hanga, and have been assembling the materials to give that a go.

I also ended up with two variants on the print. One a black and white outline, the other is a colored pencil variant. I have a side series being planned of things around Devils Tower - flora, fauna, signs, other interesting rockpiles. I'll post those as they appear in my repertoire.

Now, onward to View Three!



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02 June 2010

What's On The Easel

Busy. Youngest child getting married today.
So here's a quick roundup of art projects in the works.

Mountain Goat underpainting.
Have to put his overcoat on, and sky and he'll be good to go.

Calla Lily underpainting. My first attempt at a flower painting in a long time. Not enamored with painting flowers, but I need still life practice. A tulip came out much better. I was going to paint a lemon and lime, but ended up using them for dinner. The fate of most still life subjects I suspect. Paint fast.

Woodblock for the first print in my "36 Views of Devil's Tower series. I actually have View 2 carved and ready to print, because it's on lino. Faster and less splinters.

And finally, a one-two punch of apple blossoms.

Before I even had time to paint them, let alone photograph them, they opened, they bloomed, now they're gone.

Ah well, the lilacs have yet to bloom. When they do, I'll be waiting, brush in hand.


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14 February 2010

The Art Furor Continues

Another day, a new painting. A housewarming gift for a friend and his wife. Also a late wedding gift. :) Hey, you can't rush art. Or some artists, it seems.

I think I've also forgotten how to photograph paintings. I did remember to cover the flash to reduce the glare from the varnish, but it left me with a funky red glare in the middle. Ah well. I'm just happy to have a digital camera and instant gratification.



Big Horn Autumn
16 x 20 Acrylic on Canvas


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19 July 2009

And Now For Something Completely The Same

More lino prints. Actually, one lino print and one painting WIP. And Corgi pics, because I know someone Anonymous is going through cute withdrawal.

Remember way back when I posted about What's In Your Basement? and Citizens of The Basement, Redux? Well, I finally got around to making a print from one of the animals that lurks in the basement of Elaine's house. Hopefully this is the first of several.


Cape Buffalo
Lino block print on masa paper, black water soluable ink, hand-rubbed with a baren.

Because I cleaned my art office some (no, really) and the acrylic paints were lurking on my drafting table, I played with a quick painting of a moose. I am woefully out of practice with paint...



Moose
Acrylic on canvas

To make up for it, here are a couple of pics of my supervisors, faithfully overseeing my art production, and wondering when I'm going to quit fooling around and fix their dinners.


Max
"Woe is me, I'm starving here. If I had opposeable thumbs, I'd call Dominos..."



Merlin
"I'm not coming out from under the drafting table until I hear the magic word.
Suppertime!
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